Update on Peauxdunquians, long overdue

Peauxdunque marches on with its 2012 calendar of meetings and activities, with wonderful meetings in the past few months and the invigorating work and critique by both old members and those new to our ranks (and in between; yes, we’ve been around long enough now to have an “in between”). In November, the Peauxdunque Writers Alliance will be celebrating five years of existence. Feels like just yesterday we met for the first time in Exchange Alley in the French Quarter. And it feels like forever, too.

Peauxdunquians continue to run about in the world. Recently, Helen Krieger has been active with Shipwrecked! A Storytelling Experience, the NO Show podcast, as well as taking her movie Flood Streets international, recently to the Film By the Sea Festival; coming up on November 4, Helen will participate in the Salon de Danse de Macabre at Cafe Istanbul.

Peauxdunqian Maurice Carlos Ruffin‘s The Pie Man is in the most recent edition of The South Carolina Review. L. Kasimu Harris continues his string of brilliant essays and photography in his Parish Chic column on the Oxford American website. Both Maurice and Kasimu have contributed recent work, as well, to the Times-Picayune. Tad Bartlett‘s latest installment of his “Food and …” column has posted to the Oxford American website, on Food and Recovery: Reclaiming After the Storm. Tom Carson continues his fine work at the American Prospect and GQ, making smart mosaics out of various cultural and political shrapnel.

From November 28 through December 2, Peauxdunque and our friends will convene at the annual Words and Music Conference, for lots of good words and good times, and to celebrate the gold medal won by our own Emilie Staat in the essay category of the Faulkner-Wisdom Competition (as well as the finalist, short list for finalist, and semi-finalist placings of a whole slew of Peauxdunquians in the essay, short story, and novel categories).

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