About tadbartlett

I am special counsel at Fishman Haygood LLP, focusing on appeals in all matters, as well as litigation in environmental land-damage, coastal land-loss, and complex commercial matters. I am also a writer, and I'm the managing editor of literary journal The Peauxdunque Review.

Another upcoming Peauxdunquian book release; and a year without updates

2020 has been the pits, y’all. It’s just been so hard to keep up with it all, that I, your humble Peauxdunque website custodian, have let things slide. And almost unforgivably, because this has actually been a fairly remarkable year for Peauxdunquians, with publications, nominations, book releases, all manner of writing goodness. Know that, in this, I wallow, but I’ll do that behind the scenes once more, and get right to the meat of the matter: another upcoming book release, and an attempt to catch up on all the things that have flown through our Facebook feed but been absent here.

First, in the spirit of this, the first year of our collective COVID, on this coming Tuesday, December 8, a virtual book launch for The Best Women’s Travel Writing, Volume 12: True Stories from Around the World, with series editor and Peauxdunquian Lavinia Spalding. Joining Lavinia for the Volume 12 book launch are contributors: Eva Holland, whose essay is about survival in the Canadian arctic; Sivani Babu who wrote about returning to her grandparents’ home, a book publishing print house in Rajahmundry, India; Alia Volz who traveled to Cuba to settle a debt; and Naomi Melati Bishop, born in Indonesia, whose story is about travel on stolen tickets. Introduction by Travelers’ Tales Executive Editor, Larry Habegger. Lavinia has edited five previous editions of The Best Women’s Travel Writing. She is the author of Writing Away and the co-author of With a Measure of Grace and This Immeasurable Place, and she introduced the e-book edition of Edith Wharton’s classic travelogue, A Motor-Flight Through France. Lavinia’s work appears in such publications as Tin HouseLongreadsYoga JournalSunset, the San Francisco Chronicle, and The Guardian, and has been widely anthologized.

Now, to catch up:

In the meantime, all the members of Peauxdunque have been busy as readers and editors on the second year of production for the Peauxdunque Review, putting out two beautiful issues this year, Issues 3 and 4 of the PR, under the indefatigable leadership of editor-in-chief and publisher Larry Wormington; and with the tireless work of poetry editor Nordette Adams, fiction editor Emily Choate, CNF editor April Blevins Pejic, features editor J.Ed. Marston, editorial review board member Maurice Carlos Ruffin, and managing editor, myself, Tad.

I am certain that so much has happened, I’ve left something out. It is my fault for putting myself in the position of having to dig back through folks’ Facebook entries from the year to construct this. But here’s the point, dear visitor to our fair land of Peauxdunque: I love these people. I love their words. I love their vulnerabilities. I love their strengths. I love their friendship. We have all of us discovered what is the most and of the only importance in this world amongst all of this, and I am lucky to live in this Peauxdunquian space where we are rich in all of it. From the hectic start to a hectic year, to a last dash to San Antonio for AWP, to lockdown, to Zoom meetings, to infection, to loss of employment, to moves, to labor actions, to protest, to speaking out, to marching, to organizing, to reaching out, to writing, to editing, to a quick visit sandwiched by quarantine, to hurricane near-misses and direct-hits, to an end of year coming mercifully, hopefully, and to a new year around the bend, you all have my love and my respect.

All the best, Tad, pocket-finch, founding Peauxdunquian, Peauxdunque Review managing editor.

2020 Words & Music Conference Is Upon Us!

Peauxdunque is excited to be sponsoring three readings/panels

AND the Conference is donate-your-own-price this year!

Somehow, in the time of a global pandemic and conferences either being canceled outright or cutting down to a virtual simulacrum of their former selves, One Book One New Orleans has managed to make the 2020 edition of the Words and Music Conference bigger and better than ever this Thursday, November 19, through Sunday, November 22. Virtual, yes; but scaled back? Decidedly not. And the best news is that, in furtherance of OBONO’s pledge when taking over the Conference reins three years ago to make the Conference more accessible, this year there is no set admission price to the Conference’s panels and readings, but merely a donation page to donate what you can and what you feel to be appropriate, a donate-your-own-price model that is the ultimate in conference accessibility. As Conference director Megan Holt says, “Whether it is $1 or $1000, we know that you are giving what you can during a difficult time, and we are grateful for your support!” All panels will be live-streamed at OBONO’s YouTube page.

For that, the schedule is jam-packed with stellar writers and musicians, including Pulitzer winners, multiple state poets laureate, and numerous award-winners and critically acclaimed authors. Peauxdunque, through our literary journal The Peauxdunque Review, is hosting a reading on Thursday night, featuring nine writers from Issues 3 and 4 of the Review (Michael Quess? Moore, Freesia McKee, Alex Jennings, David Meischen, Sarah Jiang, Jackson Musker, Kaitlin Murphy-Knudsen, Hamza Rehman, and Ana Fores Tamayo); a reading on Friday afternoon, featuring winners and runners-up from the 2020 Words and Music Writing Competition (Katie Devine, Titus Chalk, Constance Adler, Tiara Malone, Elizabeth Gross, Andy Young, Deja Robinson, Percy Unger, and Ryan Brandenburg); and a panel on Saturday morning featuring an editors’ roundtable on Southern periodicals and social justice featuring editors from Oxford American, Bitter Southerner, and Scalawag!

  • Thursday features include a keynote by Jarvis DeBerry and Kelly Harris DeBerry; a conversation between Niyi Osundare and (Peauxdunquian) Christopher Louis Romaguera; a panel on the life of chef Leah Chase, featuring Antoinette de Alteriis, Carol Allen, and Edgar “Dook” Chase IV; a panel featuring musicians John Boutte, Don Vappie, John Rankin, and Helen Gillet; a panel on “Queering the South: LGBTQ+ Writers on Home, Love, and History,” with Brad Richard, Megan Volpert, M’Bilia Meekers, and Matthew Draughter; a presentation by Johnnie Bernard on the difference between developmental editing and copy editing; Jason Berry and musician of Dr. Michael White; and a reading celebration of Issues 3 and 4 of Peauxdunque Review.
  • Friday includes a panel on the modern memoir, featuring Beth Ann Fennelly, Sarah Broom, TaRessa Stovall, and Morris Ardoin; “Late Night Lit:  Poets, Presidents, and Pandemics:  A Reading for These Times,” featuring Pulitzer winner Tyehimba Jess and poets Jane Spokenword, Karisma Price, Justin Rogers, and Lupe Mendez; a panel on “Home and Haunting” with Michael Zapata, Margaret Wilkerson Sexton, Maisy Card, and Annell López; “Immortal Lives in Speculative Fiction” with Jamey Hatley and Megan Giddings, moderated by Alex Jennings; “Writing Music” with Joel Dinerstein, Kyle DeCoste, and Tony Bolden, moderated by Melissa A. Weber; an “Improv and the Arts” panel with Randy Fertel and Stephen Nachmanovich; and a “Publishing 101” presentation by Antoinette de Alteriis.
  • Saturday provides a panel on “Justice and Inclusiveness of Vision in the Modern Southern Periodical: Editors’ Roundtable Discussion from the Oxford American, Bitter Southerner, and Scalawag,” with Eliza Borné, Josina Guess, and Lovey Cooper, moderated by Maurice Carlos Ruffin; “Heartbreak, or Research?  Poets on the Writing Process,” with Aimee Nezhukumatathil, Rebecca Morgan Frank, Skye Jackson, Elizabeth Gross, and Melinda Palacio, moderated by Stacey Balkun; a Youth Poetry Workshop with Quartez Harris; “Reimagining Memory: Historical and Fantasy Fiction,” with Marita Crandall, Alys Arden, and Daniel José Older, moderated by Candice Detillier-Huber; “Picturing New Orleans,” with Cheryl Gerber, Leigh Wright, and Polo Silk; “Mystery in Motion: African American Spirituality in Mardi Gras,” with The Divine Prince Ty Emmecca, Peteh M. Haroon, and Chief Shaka Zulu, moderated by Kim Vaz-Deville; and “An Evening with John Warner Smith,” moderated by Christopher Louis Romaguera.
  • And on Sunday is the main event, paying homage to New Orleans writer and intellectual Tom Dent, with the panels “Affirming Voices: Howard University Graduates on Black Intellectualism as Resistance,” with Aye B. Diallo, Sadiyah Malcolm, Tierra Jackson, and Carmin Wong; “The Power of Jazz & Place in Tom Dent Poetry” by Skye Jackson; and the presentation of a reading of “No Ritual Murder” by the No Dream Deferred Theater Company (featuring Rachel Ridgeway, Lawrence J. Weber, Jr., Rodney Graham, Angelo Cross, Brian Egland, Allyson Lee Brown, Adella Gautier, Brittany N. Williams, Chakula cha Jua).

2019 Words and Music Competition Results!

We here in Peauxdunque are proud to run the Peauxdunque Review, and also proud of the Peauxdunque Review‘s partnership with the Words and Music Writers Conference to put on the annual Words and Music Writing Competition! Here are the results for the 2019 edition of the competition:

Short Story

The 2019 short story category of the Words and Music Writing Competition final-round judge was Kim Chinquee. Kim is a regular contributor to NOON, Denver Quarterly, Conjunctions, and has also published work in Ploughshares, The Nation, Story Quarterly, Fiction, Mississippi Review, and over a hundred other journals and anthologies. She is the author of the collections Oh Baby, Pretty, Pistol, Veer, Shot Girls and Wetsuit. She is Chief Editor of ELJ (Elm Leaves Journal) and Senior Editor of New World Writing. She co-directs the writing major at SUNY-Buffalo State, and lives in Glenwood, NY.

Kim selected the short story “Cherchez la Femme,” by Sheila Arndt as the 2019 winner in the short story category. Kim notes regarding the winning story: “The twists and turns in this piece are convincing, visceral, striking, and at times almost painful: the insides and outsides of this character’s body! Wow. The compelling voice, the oddness, the sensory details, the humor, and all the truths make it a real winner.” Sheila is a reader, writer, and MFA candidate living in New Orleans. She cares about the modern and postmodern, critical theory, Americana, saltwater, garlic, canines, old blues, and new dreams. She is beyond thrilled to have her story, “Cherchez la Femme,” chosen by and published with the Peauxdunque Review! Her poetry and prose has been published in The Tishman Review, Gravel, and Literary Orphans, among other places, and has received an Honorable Mention from Glimmer Train. Follow her: @ACokeWithYou_ and http://www.sheilamarndt.com

Kim selected “That Thing With Feathers” by Susan Finch as the runner-up, noting, “Really compelling conflict and plot, and the backgrounds about the other marriages. I really appreciate the hope in the end.” Susan is an Associate Professor at Belmont University in Nashville, Tennessee. Her work has appeared in The Chicago Tribune, Crab Orchard Review, New Ohio Review, Nimrod, Beloit Fiction Journal, and elsewhere. Her fiction has received several awards, and most recently, she was selected as a finalist for the Nelson Algren Literary Prize. Currently, she is working on a novel and a story collection.

There are six stories that are Honorable Mentions in the short story category: “I Too Can Slip,” by Courtney Sender; “All His Teeth,” by Alex Jennings; “Double Walker,” by Katherine Conner; “Rescue,” by Kaitlin Murphy-Knudsen; “The Seabird,” by Jack Cape; and “The Sky Ride,” by Missy Roback (Austin, Texas).

Creative Nonfiction

The 2019 creative nonfiction category of the Words and Music Writing Competition final-round judge was Nathaniel Rich. Nathaniel’s April 2019 release, Losing Earth: A Recent History (MCD/Farrar, Straus and Giroux) chronicles the critical time period when scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act on climate change before it was too late. Nathaniel is a writer-at-large for the New York Times Magazine; his essays on literature appear regularly in the Atlantic, Harper’s, and the New York Review of Books. His reported pieces have appeared in various anthologies, including the Best American Nonrequired Reading and the Best American Science and Nature Writing. Nathaniel is also the author of three novels: King Zeno (MCD/Farrar, Straus and Giroux, 2018); Odds Against Tomorrow (FSG, 2013); and The Mayor’s Tongue (Riverhead, 2008). His short fiction has been published by McSweeney’s, Vice, the Virginia Quarterly Review, and the American Scholar; the stories “The Northeast Kingdom” and “Blue Rock” were both finalists for the National Magazine Award for Fiction, and the latter was awarded the 2017 Emily Clark Balch Prize for Fiction. Nathaniel served as Fiction Editor of the Paris Review between 2005 and 2010.

Nathaniel selected “Love for Sale,” by Benjamin Aleshire as the 2019 winner in the creative nonfiction category. Nathaniel notes regarding the winning piece: “The reflections of a poet for sale, who has seen too much and seen it too often, in ‘a sinking city on the vanishing coastline of a dying planet.’ The author has a poet’s sensibility for finding beauty in common places: stones smoothed by a river into hearts, balconies ‘weeping with ivy,’ a smily-face laced in cirrus. Soul-weary but light-hearted, ‘Love for Sale’ is an ode to the mysteries of language and the sorrows of enduring love.” Benjamin lives in New Orleans. His work has appeared in the The Times of London, Iowa Review, Boston Review, and on television in the US, China, and Spain. Andrei Codrescu selected his manuscript POET FOR HIRE as runner-up for the 2019 Faulkner-Wisdom prize in narrative nonfiction. As a poet-for-hire, his clients include Princeton University, House of Yes orgy-goers, Sir Tom Stoppard, Shakespeare & Co, the Bellagio, Bernie Sanders, and Jimmy Page. He serves as assistant poetry editor for Green Mountains Review. You can find him on Instagram at @benjamin_aleshire, or in the flesh at the corner of Royal & St. Peter.

Nathaniel selected “Cherall” by Nick R. Robinson as the runner-up, describing the piece as “The sprawling misadventures of an orphan who can’t bring himself to accept companionship, no matter how lonely he becomes. He finally finds something resembling a home though the process of writing, recounting a history of his failures and regrets.” Nick grew up in Junior Village, a Washington D.C.-based, government-run orphanage that was the largest and oldest institution of its kind in America. A ninth-grade dropout, Nick earned a general equivalency diploma and graduated from the University of the District of Columbia. In 2006, he left an executive position at Microsoft Corporation to begin the thirteen-year journey of scribing his coming-of-age memoir, Our Family Walks. A graduate of the creative writing programs at Florida Atlantic University (2009, MFA) and the University of Missouri (2016, Ph.D.), Nick is currently an Assistant Professor of English at Claflin University. He is represented by Miriam Altshuler and can be contacted at nickrobi@hotmail.com.

There are two pieces that are Honorable Mentions in the creative nonfiction category: “Glowing Wonders of Waitomo,” by Whitney Mackman; and “My Tree,” by Gavin McCall.


The 2019 poetry category of the Words and Music Writing Competition final-round judge was Brad Richard. Brad is the author of four collections of poetry–Habitations, Motion Studies, Butcher’s Sugar, Parasite Kingdom–and three chapbooks, The Men in the Dark, Curtain Optional, and Larval Songs. Recipient of numerous awards for his writing and teaching, he was named the 2015 Louisiana Artist of the Year. Founding chair of the creative writing program at Lusher Charter School, he directs the Scholastic Art & Writing Awards of South Louisiana.

Brad selected “All the Men Who Own My Underwear,” by Kate Leland as the 2019 winner in the poetry category. Brad notes regarding the winning poem: “In ‘All the Men Who Own My Underwear,’ the speaker details, with playful warmth and clinical detachment, how she sold her worn ‘black Calvin Klein knock-offs’ on Craiglist in order to finance her grad school application fees. A poem about power and knowledge, work and sexuality, fantasy and agency, it is never a poem about exploitation: the speaker’s business is to construct a persona which she sells, ‘double zipped inside plastic bags and overnighted for a fee,’ to willing buyers she need never meet. The poem’s craft is equally precise and purposeful, from the acephalic pentameter of the title to the unnerving use of passive voice throughout. Most disarming of all, however, is the poem’s humor, down to the last line: ‘All it felt like was laundry.’ Hat off to this marvelous poem and its author!” Kate is a poet from Austin, Texas. She is currently an MFA candidate at The University of Mississippi and holds a B.A. in English – Creative Writing from Hendrix College. She works as an associate editor with Sibling Rivalry Press Her work has appeared in The Hunger and Rust + Moth, and her debut chapbook I Wore The Only Garden I’ve Ever Grown was published in January 2017 with Headmistress Press. She lives in Mississippi with one cat and a collection of half-dead houseplants.

Brad selected “Pressing Day” by Yoruba Baltrip-Coleman as the runner-up, writing this about her piece: “Pressing Day’ evokes the memories of a girl whose grandmother regularly straightened her hair with a hot comb. In the world of that fraught ritual, ultimate authority resides in that comb ‘long as a ruler, the sovereign scepter,’ which literally forces the girl to bow her head and submit to it and all it represents. Half-willing, half-forced, the girl endures the ordeal and hides her ambivalence: ‘What if I don’t want hair that hangs? Who doesn’t?’ Richly patterned in its imagery and sounds, this was a great pleasure to read.” From Reno, Nevada but now a transformed New Orleanian, Yoruba began writing poetry and fiction after publishing several research articles at Dillard University, where she taught Health Education and Theory in the Department of Public Health. Yoruba was a finalist in the William Faulkner-William Wisdom Writing Competition in 2017 for both the poetry and novella categories, and short-listed in 2018 for poetry. In 2019 she was a finalist in the novel-in-progress category and runner-up in the poetry category. She also writes YA novels. Yoruba BC’s current poetry collection, Tangles, Knots and Knaps is forthcoming.

Seven poems have been designated as Honorable Mentions in the poetry category: “Exit Slip” and “Lake Looks Like a Lady Lake” by Ash Goedker;  “Capsized” and “Pomegranates” by Tiara Brown; “The Morning After My Brother’s Suicide” and “We Say Pain and It Means According to Which Organ,” by Kate Leland; and “Parasites,” by Kelly Anderson.

Short Story by a Public High School Student

The 2019 short story by a public high school student category of the Words and Music Writing Competition final-round judge was Maurice Carlos Ruffin. Maurice’s debut novel, We Cast a Shadow, was published by One World/Random House to widespread critical acclaim in January 2019. Maurice’s work has also appeared in Unfathomable City: a New Orleans atlas, AGNI, Kenyon Review, Callaloo, Massachusetts Review, the Bitter SouthernerLitHub, Virginia Quarterly Review, and the LA Times, among many others. He is the winner of the Iowa Review Fiction Award, the So to Speak Journal Short Story Award, and the William Faulkner-William Wisdom Competition for Novel in Progress.

Maurice selected “With Hindsight In Mind,” by Nichole Cloke as the 2019 winner in the public high school student short story category. Maurice notes regarding the winning story: “‘Hindsight’ is an ambitious story about a young woman reassessing a formative experience in her life: her rape by her teacher. The story is nuanced, provocative, and full of insight that will make readers reconsider the very nature of free will. This is an unforgettable work of fiction.” Nichole is a student at Benjamin Franklin High School and studies creative writing at the New Orleans Center for Creative Arts. She is the treasurer of Franklin’s Society of Women Engineers and is actively pursuing a career in engineering. She has received the 2019 Quarante Club Prize for Poetry, has won a Silver Key in the Humor Category of the Scholastic Writing Awards, and was a short story finalist in the 2019 William Faulkner – William Wisdom Creative Writing Competition.

Maurice selected “Cicada” by Torey Bovie as the runner-up, writing of her story, “The narrator in Cicada speaks in a voice that both vivid and charming. He quickly and confidently transports us into a hilarious day in his life. Readers will wish they could spend even more time with the narrator and his family.

In addition, the editors of the Peauxdunque Review have designated an “Editor’s Choice” selection from among the remaining finalist pieces: “The Disappearance of Either My Objects or My Sanity,” by Nyela Joshua. This story was wowed over by the editorial staff, remarking on the story’s “bold, weird spirit,” and its “sparks of genius.” Other Honorable Mentions in the public high school student short story category are “Ernest and I,” by Pia Mulleady; “Mundele,” by Juliet Bel; “Streetcar to the 7th Ward,” by Donatella Henry; “Recalling the Gulf War,” by Elijah Zitler; and “Let the Good Times Roll,” by Sidne Gard.

Beyond the Bars

Zachary Lazar, final-round judge, Beyond the Bars

The 2019 Beyond the Bars category of the Words and Music Writing Competition final-round judge was Zachary Lazar, selecting winning work from entries by incarcerated juveniles nationwide. Zachary is the author of five books, including the novels Sway and I Pity the Poor Immigrant, a New York Times Notable Book of 2014. His honors include a Guggenheim Fellowship and the 2015 John Updike Award from the American Academy of Arts and Letters for “a writer in mid-career whose work has demonstrated consistent excellence.” His latest novel, Vengeance, was published in February of 2018.

Zachary selected “Down Here,” a poem by Connor Sanders as the 2019 winner in the Beyond the Bars category. Zachary notes regarding the winning poem: “This is a solemn and powerful poem whose tight refrain makes every word matter.  It manages to have flow and force at the same time.” Zachary selected a poem by Griffin Batiste Tadoe, “Problem Child,” as the runner-up, writing, “This poem moves with grace and surprise even though it’s about tribulation. The poet uses images and rhythm to paint a vivid picture of the street.

Other finalists and Honorable Mentions in the Beyond the Bars category (identified here by titles and by the authors’ initials, per the request of the juvenile facility where this group of writers resides) are “Dim White Light” by A.L.; “I Am” by A.T.; “Message to the Streets” by Griffin Tadoe; “Life” by J.W.; “The Princess and the Frog” by K.C.; and “Whispers” by P.D..

More great publication news

Peauxdunquians have more great news to report on the publications front:

Maurice also moderated a conversation with friend-of-Peauxdunque Sarah Broom, on the packed-house/standing-room-only occasion of the release of her book, The Yellow House. Much love to our whole literary community!

Waaaaayyyy up at the front, beyond the mass of folks who turned out for the release of Sarah Broom’s Yellow House, are Sarah and Maurice Carlos Ruffin, Aug. 28, 2019, at Garden District Books.

Appearances, readings, and publications, oh my.

Go see Maurice Carlos Ruffin reading with James Nolan at the Alvar branch of the New Orleans Public Library (913 Alvar Street) tonight from 6 to 8! Maurice will be reading from his novel, We Cast A Shadow, and James will be reading from his new book of poetry, Nasty Water.

Then on August 28, Maurice will be in conversation with Sarah Broom at Garden District Book Shop at 6 p.m., about Sarah’s critically acclaimed bookThe Yellow House.

In the latest Peauxdunque publication news, look for Maurice‘s essay, “The Great American Press Release,” about his visit to the Memorial for Peace and Justice in Montgomery, in the fall issue of Oxford American. And Tad Bartlett‘s story, “Flock Apart,” will be published in New York City-based Litbreak in November; so look forward to more Peauxdunque goodness this fall!

Poems, politics, and the flamenco guitar

Peauxdunque keeps going out in the world, y’all, in so many ways.

Tomorrow night, Nordette Adams will be in the line-up of poets reading at the Why There Are Words event at Octavia Books, from 6 to 8 p.m.! Poets will be presenting works on the theme of “Grace,” and Nordette will be part of a line-up em-ceed by Liz Green and also featuring Tom Andes, Jessie Morgan Owens, Brad Richard, Josie Ann Scanlan, and Rodrigo Toscano.

Anne Babson adds to her publications list with the publication of poems in 2 Bridges Review, which will publish Anne’s poem “What They Don’t Tell the Young”; and in Australia’s The Blend International, which will publish Anne’s poems, “Buenos Aires 1952” and “Ansterdam.”

On from poets to politics, Amy Conner‘s political essay, “All Life is Sacred–Except Yours,” was published earlier this month by both PolitiZoom and 360 News Digest.

And Lavinia Spalding‘s long-form travel essay, “Meet the Revolutionary Women Strumming their Way into the World of Flamenco Guitar,” about the tocaoras in Spain, has been published in Afar.

A publication, a coordination, and a professoration

I know, it’s not a word, but the news in Peauxdunque will not be stopped by the mere limitations of language!

We’ll start big and work BIGger:

(1) Peauxdunque’s Larry Wormington (editor-in-chief of the Peauxdunque Review), has learned that his short story, “Last Known Tomorrow,” will be published by Redivider. The Boston-based literary magazine has previously published such luminaries as George Singleton and Billy Collins (and Maurice Carlos Ruffin), and Larry’s gives them good company.

(2) Kelly Harris DeBerry has been selected by Poets & Writers as their Literary Outreach Coordinator for New Orleans. P&W says of this new program, “As part of a pilot project funded by the Hearst Foundations, Literary Outreach Coordinators will be equal parts community organizers and local correspondents, responsible for increasing awareness of Poets & Writers’ tools and resources for writers with a special focus on the availability of grants through our Readings & Workshops Program. With extensive support from Poets & Writers, Outreach Coordinators will have a unique opportunity to strengthen the literary community and help writers in their city.

(3) And (trumpets, fanfare), Maurice Carlos Ruffin has been named by LSU as an Assistant Professor of Creative Writing! He will begin teaching in LSU’s MFA program this fall. We’re excited for him, and for his future students.

Publications and readings and nominations, oh my

Back in January we started off a new Peauxdunque year with an expanded cast of characters and the publication of Maurice Carlos Ruffin‘s debut novel, We Cast a Shadow. Since then, I’ve been mainly delinquent in sharing the TONS of good news about Peauxdunque publications and readings and prize nominations. So, first a picture of that long-ago January meeting, and then on to the good news:


The publication news:

Where to begin? Well, big news, Maurice sold his second book to Random House/One World, a collection of his searing short stories titled The Ones Who Don’t Say They Love You. We’ll, of course, report on details such as the publication date as soon as we know, because you won’t want to miss this. Also, Maurice’s novel, We Cast a Shadow, is now in its second printing.

New Peauxdunque poet Anne Babson has had her poem “Altarpiece Diptych” accepted for publication by Canadian journal QWERTY. Her poem “My Afternoon with Laura Ingalls” will be in the next issue of Silk Road Review. Anne’s review of Melinda Palacio’s Bird Forgiveness is in the current Louisiana Literature. And her play Reenactment is in the latest issue of Review Americana.

Lavinia Spalding had her beautiful creative nonfiction piece “The Cabin” published by LongreadsEmilie Staat’s essay, “The Passenger,” was published in Gris-GrisSusan Vallee will have a piece profiling We Cast a Shadow in the upcoming arts and culture issue of VIE Magazine. And Tad Bartlett’s short story, “Elysian Fields,” was published in the April 2019 issue of New Limestone Review.

Upcoming readings:

Cassie Pruyn will be reading on April 30 at the main branch of the East Jefferson Parish Public Library with Ben Morris, Brad Richard, Elizabeth Gross, Ben Aleshire, and Esme Franklin. A week before, on April 23, Anne Babson will be reading at the same location on a bill with Melinda PalacioAllison Pellegrin, and Paris Tate.

Maurice Ruffin will be reading at the Argenta Reading Series in Little Rock, Arkansas, on April 25. This weekend (right now) he’s participating as the keynote speaker at the Muse and the Marketplace conference in Boston.


A little tardy in announcing these, but Peauxdunque’s Larry Wormington received a Pushcart nomination from Elm Leaves Journal for his story “Balloon Animals“; and Tad Bartlett and Maurice Ruffin both received Pushcart nominations from members of the Pushcart Board of Contributing Editors for work they published in 2018.

Big writing conference weekend: Peauxdunquians appearing coast-to-coast!

It’s that time of year again, when writers across the land flock to spring conferences for that necessary writing recharge. This week and coming weekend, two of the biggest gatherings of writers will happen in Portland, Oregon at the 2019 AWP Conference, and in New Orleans at the Tennessee Williams/New Orleans Literary Festival. Peauxdunquians populate panels and readings at both, so we’re all in luck, from the South Coast to the West Coast.

At AWP, Peauxdunquian Maurice Carlos Ruffin will be almost everywhere at once. On Friday, March 29, 9:00 a.m. – 10:15 a.m., Maurice will be part of the panel, “Unspoken Intimacies: On Male Friendship, Romance, and Everything in Between,” in room B113 on Level 1 of the Oregon Convention Center. On Saturday, March 30, 2 p.m. – 5 p.m., Maurice will be part of the Krewe de Louisiane & Friends reading put on by Lavender Ink and River Writers, at the Big Legrowlski at 812 NW Couch Street (this reading will also feature one of the poets in the imminently released Issue 1 of The Peauxdunque Review, Christopher Romaguera). Then, somehow managing simultaneous appearance, on March 30, 4:30 p.m. – 5:45 p.m., Maurice will be part of the panel, “Match Game: How to Find and Work with Your Agent,” in Oregon Ballroom 203 on Level 2 of the Oregon Convention Center. Finally, on March 30, 6 p.m. – 9 p.m., Maurice will be part of the reading for the SEI Library Grand Re-Opening at the Center for Self-Enhancement at 3920 N. Kirby Avenue.

At the Tennessee Williams Festival, Anne Babson will moderate the panel, “Poets on Craft and Inspiration,” on Sunday, March 31, 1 p.m. – 2:15 p.m., in the Royal Ballroom at the Hotel Monteleone. Tad Bartlett will be on the panel, “How to Start and Maintain a Writers’ Group,” on Thursday, March 28, 2:30 p.m. – 3:45 p.m., at the Historic New Orleans Collection (533 Royal Street). And Claudia Gray will moderate the panel, “Writing Young Adult Fiction: It’s Not Just for Teenagers,” on Saturday, March 30, 11:30 p.m. – 12:45 p.m., at Muriel’s Jackson Square.

And, of course, at both conferences there will be almost-countless Peauxdunquians roaming around in attendance. And there will be so many friends of Peauxdunque on panels and in readings that I dare not try to start listing them all, for fear of forgetting one (but just a sample, because I can’t help myself: at Tennessee Williams Fest, we are looking forward to bumping brains and elbows with great friends George Bishop, Bryan Camp, Nancy DixonAbram HimelsteinSusan LarsonDaniel Jose OlderHannah PittardBrad RichardNathaniel Rich, and Bryan Washington; we can’t even begin to list all the friends at AWP).

Mostly, though, we can’t wait to see YOU (yes, you), as we grow in community with all the writers around us.