Peauxdunque everywhere

It is I, keeper of the Peauxdunque website, long delinquent in my duties here. Part of my excuse is very good, as we here in the land of Peauxdunque have been busy working on Issue 1 of the Peauxdunque Review and, in the course of that, administering the 2018 Words and Music Writing Competition. The Review is on track to come out in December 2018, with a fabulous line-up of writers and writings in Issue 1, alongside some brilliant in-house-generated, soon-to-be-regular-feature columns. The Competition has resulted in a slate of winners and runners-up that we will announce this week, who are already populating the production schedule for Issue 2 of the Review (slated for late spring/early summer of 2019). But enough about that! You’re here to hear about what’s new for Peauxdunquians, and there is plenty:

  • First up, Peauxdunquian writer and photographer-extraordinaire L. Kasimu Harris, who just recently completed a summer-long run as a featured artist in the NOMA “Changing Course” show, last week published an incisive column about how the new Southern photography show at the Ogden Museum of Southern Art is providing a long-necessary disruption of the white-male-centric curation of the art-photography world. Read it here (and now), from The Bitter Southerner (“How the Ogden Museum is Desegregating Southern Photography”).
  • Next, Peauxdunque travel writer Lavinia Spalding will be appearing at Garden District Book Shop this Tuesday, October 16, to interview Apricot Irving and discuss Apricot’s memoir, The Gospel of Trees. Lavinia is the series editor of The Best Women’s Travel Writing, author of Writing Away, and co-author of With a Measure of Grace and This Immeasurable Place. Her work has appeared in Tin House, Post Road, and numerous travel magazines and anthologies.
  • While on the subject of things happening this coming week, there’s all of the everything happening for founding Peauxdunquer Maurice Carlos Ruffin in advance of the January release of his debut novel from One World/Random House, We Cast a Shadow (pre-order at that link).
    • First, this Wednesday, October 17, Maurice will be presenting at the main (Loyola Ave.) branch of the New Orleans Public Library on “New Orleans 300: Ancestral Suits,” delving into he life of Patrina, Wild Queen of the Red Hawk Hunters, the first woman to lead a Mardi Gras Indian tribe. He’ll also read from various works, including the upcoming novel.
    • The next day, Thursday October 18, Maurice will be at Garden District Book Shop interviewing Kiese Laymon on Kiese’s New Orleans stop on the book tour for the critically lauded memoir, Heavy. A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family that begins with a confusing childhood—and continues through twenty-five years of haunting implosions and long reverberations. YOU WON’T WANT TO MISS THIS.
    • Next up for Maurice will be a busy Thursday, October 25; at noon that day he will be reading from the new novel at the Delgado Reading Series, then at 7 that evening he will be featured alongside Rita Bullwinkel at the Dogfish Reading Series.
    • The next week, on Tuesday, October 30, Maurice will be in Brooklyn, featured alongside Fatimah Asghar at Pioneer Works in Red Hook, again reading from the new novel.
    • All of this, as we said up top, is in advance of the release of We Cast a Shadow. The novel recently received a starred/boxed review from Publishers Weekly! Go read that, then you can register at Good Reads for an advance-copy giveaway.
  • WHEW. That was a lot. but we’re not done …
  • Peauxdunquian James (Drew) Jordan, recently moved to Georgia for the creative writing Ph.D. program at Georgia State, has recently learned that his story, “Residue,” will be published by venerable journal Quarterly West, and will be out later this month!
  • And Peauxdunque’s Tad Bartlett has recently had two works published. His novella, Marchers’ Season, is the sole featured work in Issue 26 of Storylandia, available from amazon.com here. And Tad’s short story, “When Czechoslovakia Was Still a Country,” has been included in the relaunch issue of Green Briar Review, just released yesterday.

Peauxdunquians continue to travel and write in search of the Word and all its magic. Emily Choate has recently completed a residency at the Hambidge Center in Georgia, and continues to write insightful and beautifully rendered reviews at Chapter16.orgDenise Moore continues to work her writing and words in the improv world with the improv comedy group Black Girl Giggles, who just recently appeared at the Diversity in Comedy Festival in Los Angeles. And Tom Carson, as always, who thought he could rid himself of us by moving out to California, continues to pound home the cultural and political harrows of the day with razor wit and grace.

Stay tuned for the next post, where I might remember all the things I forgot …

 

Advertisements

More publications, conferences, and another win

Emily Choate and Terri Shrum Stoor have been selected to attend the 2014 Sewanee Writers’ Conference! Emily, along with Maurice Carlos Ruffin and Dana Glass, has also been selected to attend the Tin House Summer Writers’ Workshop. Other Peauxdunque travels to summer workshops include Terri, J.Ed. Marston, and Susan Bennett Vallee attending the Yokshop Writers’ Workshop in Oxford, Mississippi.

On the publications front, Emily has two recent reviews out on Chapter 16.org: one of Tupelo Honey Cafe: New Southern Flavors from the Blue Ridge Mountains; and one of Southern Sin: True Stories of the Sultry South and Women Behaving Badly, an essay anthology edited by Beth Ann Fennelly.

Also, the wonderful book, Unfathomable City: A New Orleans Atlas, containing Maurice‘s excellent essay on the St. Claude Avenue corridor, has been selected as the book for the 2014 One Book One New Orleans project.

Among recent competition wins and awards by Peauxdunquians lately, Tad Bartlett‘s story, “Superpowerless,” received the Svenson Award for Fiction, awarded annually by the UNO Creative Writing Workshop. We also have news of another incredible competition win by a Peauxdunque denizen, but have to hold our huzzahs until that competition makes its official announcement; but when it comes, we’ll share a behind-the-scenes story of how it came to be. Stay tuned!

A busy start to 2014 in Peauxdunque

There’ve been lots of doings in the land of Peauxdunque to begin 2014.

Susan Kagan has inked a book deal with Left Hand Press for her book, Avoiding a Perilous Path: Basic Wiccan Ethics, a book examining every mundane aspect of ethical behavior in a Wiccan’s life, from birth to death and all the epiphanies and drudgeries in between. Publication will be no later than early 2015.

Maurice Carlos Ruffin has learned that his short story, “Catch What You Can,” will be published this May in issue 11.2 of Redivider.

New Peauxdunquian Geoff Munsterman has been all over the place, presenting readings from his new collection, Because the Stars Shine Through It, including at the AllWays Lounge, at the “Meet the Authors of Lavender Ink” event at Faulkner House Books, and as a featured author, along with Maurice, at the upcoming Pine Street Salon hosted by Rodger Kamenetz and Moira Crone.

Tad Bartlett learned in January that his short story, “Superpowerless,” received an Honorable Mention designation in the November 2013 Glimmer Train Short Story Award for New Writers.

Emily Choate continued her great series with Chapter 16, posting a review of Charles McNair’s Pickett’s Charge, his first book since his Pulitzer-nominated Land O’ Goshen nineteen years ago.

Tom Carson continues to write his insightful film and cultural criticism for The American Prospect and GQ, including his touching obituary in GQ for Philip Seymour Hoffman.

And L. Kasimu Harris had a successful solo exhibition of his photography at the Bellocq lounge, titled “Dreams Do Come True.” Proving the truth of that title, Kasimu also emcee’d the “Haute & Handmade” event, a showcase of Southern costume couture, at the Ogden Museum of Southern Art on January 24.

MORE TO COME!

Come see what’s happening in Peauxdunque. Really, you could spend a whole day with us.

Sometimes it’s hard to keep up with everything happening in the land of Peauxdunque. It’s a wild and varied place, populated by writers who never stop. Since our last update in the far-distant past of early December, here’s the latest:

Tom Carson‘s novel, Daisy Buchanan’s Daughter, has been re-released by River House Publishing in a two-volume set: Cadwaller’s Gun and Carole Lombard’s Plane.

Emily Choate has published a fantastic Q&A with Roger Hodge, new editor of Oxford American, on Chapter 16.

Liz Gruder‘s YA fantasy, Starseed, has been released by WiDo Publishing.

Terri Stoor‘s award-winning essay, Bird Dog, has been published in Quarterly West.

The first season of Denise Moore‘s excellent web series, Neutral Grounds, is now available for viewing.

Tad Bartlett‘s essays on the Oxford American website have taken a short break from the “Food and …” series, and now include an essay on music and the recovery from Hurricane Katrina, run in conjunction with the magazine’s Louisiana Music issue.

J.Ed. Marston published an op-ed piece in the Atlanta Journal-Constitution on progressive development of communities of technology entrepreneurs in Chattanooga.

At the beginning of February, Peauxdunque took the show on the road for their annual retreat, this time to Peauxdunque, Tennessee. Another post will follow soon. Come back to visit!