Awards and books!

We’re excited to announce that founding (Founding Founding) Peauxdunqian Amy Serrano‘s poetry collection, Of Fiery Places and Sacred Spaces, was officially released on April 15, and you can purchase a copy right here, on Amy’s website. While there, you can also read more about her exciting new multi-media arts initiative focused on city self-definition (beginning in Miami), This Is Who We Are. Look for Amy soon at a curated reading in Chicago. More information as the details come in.

We’re also very excited that globe-trotting Peauxdunquian Janis Turk‘s essay, “Feeling Up the Map,” won second place for travel writing from the New York Travel Festival. Also, Janis’s photography is featured in the cookbook Come In We’re Closed, which has been nominated for a James Beard Award.

We’re grateful to count both Amy and Janis among the citizens of Peauxdunque!

Don’t forget, Peauxdunquian Tad Bartlett will be among tonight’s readers at the UNO Gold Room reading.

Sunday Shorts Reading Series

MelaNated Writers Collective and Peauxdunque Writers Alliance are partnering up for Sunday Shorts, a month-long reading series featuring short stories from MelaNated and Peauxdunque writers (MelaDunque? PeauxNated?). Every Sunday evening from April 28 through May 19 will feature another pair of writers at the Red Star Galerie at 2513 Bayou Road in New Orleans. Doors open at 8:00, with readings beginning at 8:30.

April 28: Sunday Shorts starts with L. Kasimu Harris (MelaNated & Peauxdunque) and Sabrina Canfield (Peauxdunque).

May 5: Readings from jewel bush (MelaNated) and Maurice Carlos Ruffin (Peauxdunque and MelaNated).

May 12: Readings from Jeri Hilt (MelaNated) and Terri Shrum Stoor (Peauxdunque).

May 19: The series concludes with Danielle Gilyot (MelaNated) and Tad Bartlett (Peauxdunque).

Gold Room reading coming up!

Peauxdunquian Tad Bartlett will be reading from his fiction at the next Gold Room reading on April 18, part of the UNO MFA program’s Creative Writing Workshop. Also reading will be Neil Ranu (fiction), Alex Reisner (non-fiction), and Nordette Adams (poetry). The Gold Room happens at Handsome Willie’s, 218 South Robertson Street, beginning at 7:30 p.m. Free admission.

Upcoming literary events, featuring Maurice!

Peauxdunquian Maurice Carlos Ruffin will be featured with others at three readings in the next two weeks.

First up, this Thursday, March 21, Maurice will be reading fiction at the UNO Gold Room at Handsome Willie’s, 218 South Robertson Street, beginning at 7:30 p.m. Also reading at the Gold Room will be Stephanie Doyle (fiction), Laura McKnight (non-fiction), and Ben Sines (poetry). Free admission.

Maurice will next be reading on Friday, March 22, at the Melanated Writers Collective’s Literary Jook Joint, at the M. Francis Gallery, 604 Julia Street, beginning at 8 p.m. Maurice will be part of a stellar line-up, including Yeah You Write alums Kelly Harris DeBerry and Gian Smith, and fellow Melanated Writers Dr. Gee Love and Mary Webb. $15 admission for a great night of words, food and drinks included ($10 with student ID), in conjunction with the Tennessee Williams Festival.

Finally, Maurice will be reading at the next installment of the 17 Poets! series on Thursday, March 28, with Katarina Boudreaux. The series occurs weekly at the Gold Mine Saloon, at 701 Dauphine Street, with readings beginning at 8 p.m.

Two more Peauxdunque readings: Tom Carson and Ben Morris

Get out and hear some live, local writers, of the Peauxdunque variety and otherwise. Peauxdunquian-extraordinaire Tom Carson will be reading from new and recent work TONIGHT, Wednesday, February 20, at the Art Klub (513 Elysian Fields), from 7:30 to 9:00, along with Lisa Pasold (Any Bright Horse) and Michael Patrick Welch (Y’all’s Problem).

Then Monday night, February 25, from 7:00 to 8:00, Benjamin Morris – who I’ll claim for Peauxdunque until I’m forced to stop – will be reading from new poetry at Cudd Hall at Tulane University, along with Melissa Dickey. Ben has just finished a book, a collection of poems a year in the making. Ben reports, “I have only one hope for it, which is to share it with you now that it’s done. It’s a book inspired by the endangered forests of southeastern Louisiana, a special landscape in a place we all know and love.” If you know Ben’s writing, you know this will be special.

Maurice Ruffin reading at Black Widow Salon

This Monday, February 18 (7 p.m. to 9 p.m.), come see Maurice Carlos Ruffin in the line-up for the annual emerging writers Black Widow Salon 5 X 20 (five writers, twenty minutes each) series at Crescent City Books (230 Chartres Street). Along with Maurice will be writers Michael Jeffrey Lee, Geoff Munsterman, Justin Nobel, and Kat Stromquist. Don’t miss out!

On a rise over a holler

Writers Camp is where Peauxdunque repairs at the beginning of every year, to reflect on the past year and recharge for the coming one. Usually an overnight to a place appropriately called Hopedale, 2013 saw us take a whole weekend instead. Gathering from all points Peauxdunquian, eating at a place (appropriately) called Dreamland on the way up, taking roads northward pointing, dwindling steadily in lanes and traffic until it was dark, twenty degrees, on a one-lane, moss-covered track at the bottom of a holler, next to a brook, icy water over rocks, and the GPS saying, “You’ve come as close to your destination as you can travel by car. You must now exit the car and walk.” Up a rise that felt like a mountain but surely wasn’t, until all the travelers were together. Susan Kagan, who had secured the hilltop retreat from a good soul; Emily Choate over from Nashville; J.Ed. Marston over from Chattanooga-way; Janis Turk flown all the way up from San Antonio; and Denise MooreTerri StoorMaurice Ruffin, and Tad Bartlett the long drive up from New Orleans. At a place not near any other places, nameless, now called, appropriately, Peauxdunque, Tennessee.

Late into the night, twice, a whole day in the middle, and a far-too-short morning on the end, plus the long hours of driving up and back, there was solid talk about writing and reading and words. There were plans discussed, theses, novels, stories, essays. We took time to be silent and to write, to wander the hillside over fresh snow and under old stars. Below is a slideshow of some photos from our time, taken by Terri, Maurice, Emily, and Tad. We invite all to share; but I particularly invite Peauxdunquians to come back and view them and remember the times in Tennessee over the next year, when you’re feeling momentarily adrift. One more year, then we’ll do it all again.

Come see what’s happening in Peauxdunque. Really, you could spend a whole day with us.

Sometimes it’s hard to keep up with everything happening in the land of Peauxdunque. It’s a wild and varied place, populated by writers who never stop. Since our last update in the far-distant past of early December, here’s the latest:

Tom Carson‘s novel, Daisy Buchanan’s Daughter, has been re-released by River House Publishing in a two-volume set: Cadwaller’s Gun and Carole Lombard’s Plane.

Emily Choate has published a fantastic Q&A with Roger Hodge, new editor of Oxford American, on Chapter 16.

Liz Gruder‘s YA fantasy, Starseed, has been released by WiDo Publishing.

Terri Stoor‘s award-winning essay, Bird Dog, has been published in Quarterly West.

The first season of Denise Moore‘s excellent web series, Neutral Grounds, is now available for viewing.

Tad Bartlett‘s essays on the Oxford American website have taken a short break from the “Food and …” series, and now include an essay on music and the recovery from Hurricane Katrina, run in conjunction with the magazine’s Louisiana Music issue.

J.Ed. Marston published an op-ed piece in the Atlanta Journal-Constitution on progressive development of communities of technology entrepreneurs in Chattanooga.

At the beginning of February, Peauxdunque took the show on the road for their annual retreat, this time to Peauxdunque, Tennessee. Another post will follow soon. Come back to visit!

Emilie Staat accepts her Faulkner-Wisdom essay prize

During this past weekend’s Words and Music Conference, Emilie Staat received the gold medal in the essay category of the William Faulkner-William Wisdom Writing Competition for her essay, “Tango Face.”

Emilie acceptance photo

Andrew Lam, judge of the essay category of the competition, took the occasion to describe Emilie’s work: