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About tadbartlett

I am special counsel at Fishman Haygood LLP, focusing on appeals in all matters, as well as litigation in environmental land-damage, coastal land-loss, and complex commercial matters. I am also a writer, and I'm the managing editor of literary journal The Peauxdunque Review.

PWA Interviews Terri Stoor

Terri Stoor, member of the Peauxdunque Writers Alliance and winner of the 2011 short story gold medal in the William Faulkner-William Wisdom writing competition, will be reading from her work at the Yeah, You Write literary concert at Tipitina’s on October 13th. Fellow Peauxdunquian Tad Bartlett took some time out this week with Terri to chat with her about her writing:

TB: Terri, much of your work, including Bellyful of Sparrow, for which you won the gold medal for short stories in the 2011 Faulkner-Wisdom competition, seems to involve the intersection between humor and death, or between everyday tragedy and some sort of quiet transcendence. First, do you think that’s fair? But second, do you find these intersections to be rich veins for stories?

TS: I think that’s a fair assessment of my work, though it wasn’t until you pointed it out that I realized that 90% of my stories involve death, either just passed or on the way. Death distills everything down to its essence, it cuts the crap, it brings issues into focus. Whether you know you’re dying (and aren’t we all) or you’re dealing with what’s left after someone is gone, it’s a good way to get to the core of the story. As for humor, well, some of the most horrific things that happen in life are also very funny. Humor is what makes the pain bearable.

TB: Speaking of rich veins, do you find it easier to write stories about the small towns you experienced growing up, or do you see yourself gravitating toward setting stories in larger cities such as New Orleans?

 TS: I love writing about small towns. There are few places as loving or as hateful as a very small town, often at the same time. They choose whom to include or exclude, seemingly at random. I don’t know that it’s easier to write stories about the towns I was raised in, but I am drawn to the sanctity of what others might consider small lives. No one has a small life from their own perspective, and I like to explore that. New Orleans is really a collection of small towns, with her neighborhoods, and I could easily see setting stories here.
TB: Tell me about your writing process. Where do you start with a story? Where do your stories first come from?
TS: Someone wrote (and I wish I could give appropriate credit), “I don’t know where the ideas come from, but I know if I’m not there to write them down, they go away again.” Anything can inspire a story for me: a turn of phrase, a face glimpsed in a passing car, a dream. Once in awhile I start with a title. I write my stories whole, from the beginning to the end, and most often in one long sitting. The story I end up with, once I knead it and roll it out may be nothing like what I began with, but the initial outpouring goes down on the page as one piece.
TB: Do you feel there’s a particularly oral quality to your storytelling that translates to the page? Might this come from your past experience as an actor and in stand-up comedy?
TS: Sure. I often read passages aloud, to get the mouthfeel of them, to see how they come off my tongue. It’s the quickest way for me to discover when something is too cute, or just not working. If it’s not flowing on the page, when you read it aloud, it’s really obvious. As a writer, I don’t think I’m trying to enlighten you or educate you; all I want to do is tell stories.
TB: What is the best writing advice you’ve ever received (or given, if you’ve given advice better than any you received)?
TS: The best advice I’ve received is probably from Memphis native and current New Orleans writer Jamey Hatley: “Be fierce.” It applies to so much of writing, being fierce about getting your butt in the chair, being fierce about the work itself. Great advice. The best advice I’ve ever given is definitely, “It’s as easy to love a rich man as a poor one,” to my daughters. I consider it an investment in the quality of my eventual retirement home.
TB: Thanks, Terri! Looking forward to your reading at Tip’s!
TS: Thank you! I’m looking forward to it as well. Should be a great event.

Yeah, You Write: Tickets on sale online

You can now purchase tickets online for the Yeah, You Write event, right now! Get yours ahead of time, before the room fills up.

Mat Johnson, Amanda Boyden, Bill Loehfelm, Kelly Harris-DeBerry, Gian Smith, and Terri Stoor! Emcee’d by Nick Fox! Dance party following, with DJ Sep spinning the tunes! Drinks served up by Tip’s!

Yeah, You Write!

A year ago, the Peauxdunquians had a vision, a collective vision of a city with vast cultural resources — artists and musicians and writers and chefs, all striving for funky and ultimate soulful expression, celebrated not just by their peers but by ecstatic audiences, too. And then we realized that vision was the place where we live, right here in New Orleans. We flock to restaurants to share the creations of our artistic chefs; we jam our clubs to listen to bands who play our music. And now it’s time to step it up for another group of our artists, the nationally acclaimed writers of our city and our region.

New Orleans and the South have always been a city and a region of incredible writers. They can be as much our rock stars as our musicians are, and now they are coming together in one of our grand temples: Tipitina’s uptown, the altar of ‘Fess himself, will be hosting the first Yeah, You Write event, on October 13, 2011, from 7:00 until the celebration ends. Six great writers, emcee’d by local poet Nick Fox, and followed by the dance visions of D.J. Sep. All for only a $5 cover.

Come hear Mat Johnson (author of “Pym,” winner of the Dos Passos Prize for Literature), Kelly Harris-DeBerry (local poet and literary activist, and founder of the Literary Lab), Amanda Boyden (author most recently of “Babylon Rolling”), Bill Loehfelm (past Amazon Breakthrough Novel Award winner, author most recently of “The Devil She Knows”), Gian Smith (spoken word artist, author of “O Beautiful Storm,” featured in Treme Season 2 trailer), and Terri Stoor (PWA member and winner of the 2011 William Faulkner-William Wisdom short story competition). These are the words of our time, our city, our region, and our Peauxdunque.

Peauxdunque at Petit Jean …

Before the summer gets away, a brief word about and some pictures from the fantastic experiences of several Peauxdunque members at the first annual Oxford American Summit for Ambitious Writers. Put on by the fabulous folks at the Oxford American, the Summit selected a group of around 75 writers from across the country for a week of intensive workshopping and insightful lectures. Among the inaugural class were a few Peauxdunquians – Maurice Ruffin, Terri Stoor, J.Ed. Marston, Tad Bartlett, and Emily Choate.

The experience was all words, all the time, even during times of whiskey and wine. It was, to put it bluntly, Earth-shifting. And beautiful. And inspiring. Here are some great photos by the OA‘s Nicholas Pippins and Carol Ann Fitzgerald. Here are some more by Carol Ann.

Here are some by us:

The first Peauxdunque post, four years later.

Here we are with our first post on our spanking new website/blog/thing, a mere almost-four years after we started this great experiment. So I guess we’re official now. The About page will tell you a few things that you might expect to find in a first post. Here are a few pictures of some of the folks in the group:

Maurice, Bryan, Terri, Susan, Sabrina, and Amy at the first Peauxdunque Writers’ Camp in January 2009; Hopedale, La.

Sabrina, Terri, Emilie, Tad, Maurice, and J.Ed., looking spiffy during Words and Music, November 2010

Looking more normal during Words and Music 2010: Tad, J.Ed., Terri, Emilie, Sabrina, Maurice, our dearest friend Jamey, and Janis

I could go on and on with the pictures, but we’ll save those to dribble in in future posts. Cheers! Write or die.